Friday, August 28, 2015

THIS THICK SOUP



This is a note about the notes I've written
 concerning the notes you couldn't read
after I passed them on to you in the hallway
between classes or walking past your table
in the lunch room where they were piles of
wax paper, odd meat, bad breath by the current.

My favorite music was accordion metal
with according to guitarists fretting their futures
in commodities they can't scale, is the sort of jamming
that is performed in alleys behind banks while they're robbed
and getaway cars crash after they peel out from between
narrow streets to pile on traffic islands
after they note, still in their ski masks,
the song of the sirens who's only lyric
informs them that George Bailey or the plot
where they'll be buried
wait for them, patient as a vacuum.

Different ways of getting to the same point
is a math problem divided by two coughs and
multiplied with a stuttering attempt to retrace
the footsteps, tire tracks and litter trail
that bring us to the prime number
that makes or breaks how the day eventually turns out,
four cars going four different directions
at an intersection where the traffic lights are out and there are no police around to wave anyone
the right of passage.








Thursday, August 27, 2015

How to suck

Watch Miley Cyrus Disguise Herself, Ask People What They Think Of Miley Cyrus:



'via Blog this'

         Jimmy Kimmel Live sent Miley Cyrus, punk-pop twerker and occasional singer, out disguised a  reporter named "Janet" to talk to the man or woman on the street what they thought of this tacky broad, Miley Cyrus. Kimmel, of course, has another on going segment called "Mean Tweets" where famous folks are asked to read the awful things others have written about them. This is a variation on a theme, but it's a smarmy presentation, a cheap laugh. It is, I would hope, the tipping point where audiences have grown weary of Cyrus's self-display and demand that do something worth paying money for.


  • This bit , in effect ( and intent,I suspect) is a mockery of the famously anonymous "man/woman on the street" where there is every sophistication that they are out of the loop, unhip, square, stupid for not being up on Miley or the tacky antics she engages in. "Mean Tweets" at least involves celebrities who are famous for their work over everything else and acts as slight curative for the deluge of celebrity obsessed bile that crowds out a smarter discussion of popular art. Cyrus is becoming like celebrty bile herself, famous for being famously tacky and making her fame the formost part of her public identity. Perhaps she will find another way to remain in the headlines once she stops being percieved as cute in any manner; perhaps she'll go back to work, act, do stage work, write and record songs that can surprise us and makes us thank the lord that the insanity of youth had left her. Something similar happened to Cher when graduated from the relentlessly iirrelevant chains of her Sonny and Cher days and lit out on a film work where she did some memorable work, as in 'Silkwood", "Moonstruck", "Witches of Eastwick","Mask". 

  • True, her years as respected Hollywood actress were short lived and she re-morphed into a species of professional celebrity shill as she pitched products on cable TV stations, but there is at least a time when she did work even naysayers , or at least a good many of them, had to tip their hats for the fine work done. Not that I really care in the larger scheme of things, but i would hope that if Cyrus ever graduates from being a sideshow freak and makes the transition to the ranks of "working artist" in endeavors intended to be judged on their own terms, that she has a good run and so avoids being a  Danny Bonaduchi for all time.

Tuesday, August 25, 2015

Unitl it ends

You didn't slam a door
nor get angry with minor yelps
of neighboring dogs
so sad in their kennels,

the streets are covered in leaves
that have curled and turned
many hues of ceasing to be,

there was wind from a window
that kept you cool when
no one was watching,

the phone rings
and it rings again
until it ends,

and silence
is the only thing
there is
to be angry about.

It’s Not Like We Never Smiled Again





It’s not like we never smiled again after the bricks came through the windows and the secrets of the garden had become either dark smoke or something worse and chewed over at that.  There is no pleasure in seeing photos of past lives in present tense neighborhoods, there is the way a chin is caressed by a fingertip slightly familiar both to the touch and to the memory that has fingerprints and scuff marks on  its imagination.
We grinned, rather, turning our collars up to the cold and damp, victorious as battleships rusted an  in shallow waters that are ports that have derricks burning away the stars and turning every flashlight and lamppost glare a swirling corona of diseased aromas that seep through the tarp that separates the refusal to awaken with the sun and the urge to rise from the bed when the mist settles on the lawn and bring flames to the parties that began the year with lost accents and scribbled notes on damp napkins.
d retired
Needless to say, the palms are damp with expectancy, the tongue swells and cannot utter a groan or a wish. And then the screen fluttered, a sudden swerve of lines becoming something like swerves seen on highway signs telling you how typical this road will become in even the longest run-on sentences.

We blame scenery for our hunger and still we see each other thought one of us is not here in the room or any room the other of us has yet walked into. Fading into nothingness is over rated until it happens at last and there is little remaining of what was assumed would always be there but an outline made of mote and mascara.
 The vanishing becomes the light of our eyes blinking quickly to see all there is even faster because the watches and the clocks are set an hour ahead and no one knows what time it really is .
 Why does this take so long? The longer we talk the darker the light becomes, soon every window will be opened and there will be music of marching bands pouring into the opaque neighborhoods that is the hit parade of a movie we saw and mistook for something that happened in this life we shared from opposite places on the map.


Wednesday, August 5, 2015

For a blue moon

For a blue moon
who wouldn't cut off an arm
and hand crammed
in a coat sleeve
and pant pocket
too tight around the skin and
veins that pop up
like large roots
in old trees,

For a blue moon
you need an eye in each head
and be fast enough
to catch your profile
in each mirror
you walk by
up that hall
that emerges in every dream
you have about walking
through the woods,
the canopy of trees over head
and the light of the house
at the end of the path,
the open window,
the stars over the city,

For a blue moon
we have
lawn chairs
at night
on the lawn
while the fireworks
rattle and boom
in the distance
across the bay,
one chair remains empty
and the other
one of us
intends to sit in some day
depending on
which of us remains
alive
when the eulogies are read.

Tuesday, July 7, 2015

From the top of your head

Jill Moon, 1952-2015
 Jill Moon, the woman I loved more than nearly anyone or anything else, has passed away. This is a love poem I wrote for her back in  1996. It says it all and has nothing close to how deep our friendship was and how deep the loss is and will remain. She was 63 years old, a painter, a set designer, a college professor, a loving mother,  a glass artist, a wit, a smart person who loved beautiful things and interesting people. I love you, dear Jill. --tb)


From the top of your head
flowers grow that I’ve never seen
in the nature of my asking
the meaning of this thing, so beautiful, the wind.

The wind in all uses highlights
the shift of your hips
leaning against rocks, the meaning of this,
the earth, the mother of the deals
that have us eating out
of  the hands that pick the roots of your hair
that goes on growing like flowers on hills
with all the houses we ‘ve  never lived in.

A clap of thunder is applause enough for pausing
to smell the turpentine that revives the hem and haw
of  the wood under our shoes,
rainy nights are ovations and the trance
of  still looking into your eyes
where I’ve always seen them,
on pyramids, in circles,
thirsty yearning.

From my hands comes ruined meaning
about hammers and nails and the holes that made them,
I’ve stared at your face on the ceiling all night,
water flows where there is no resistance,
insistence makes me forget and remember your names,
every center has a heart
and every heart is broken.
Into your face    t
    all roads split down the middle,
    the wind is a whisper
and a rustle of notes
    coyotes cry
    in the wake
    of our progress,
    so beautiful, the wind,
    and water rolling
in circles, in circles, in peace.

Unmanageable


He wouldn't change his mind
so I mailed him a brick and a rose
postage due, of course,
because the wind had gone from my sails
and I was stranded at the bus stop
with no token, after dark,
falling asleep to the barking of dogs
behind a fence.

I wouldn't apologize
so she sold my books
and record collection
to a man who specialized
in another decade's glory,
I cried under her window,
I sang her a song
written in schemes that rhymed
and plots that didn't,
I cannot be sorry
for invisible gestures
committed while I spoke on the phone, I explained,
hooking my thumb on a belt loop
when I mentioned nothing
what you thought it might
when I mentioned
"cake" and "bombast" in the same sentence,
but you gather my hats all the same
and toss them to the oak tree
that hangs over your roof,
one hat per limb,
one duck bill spinning toward the gutter
where leaves burn, as if on cue,
or my, what shall I do?

The government wouldn't straighten its spine
and walk a straight line
nor speak something without qualification,
so we held our breath
and took on horrible lovers
who would take our money from our wallets and purse
after we are asleep ,
we buy things we don't want
on the basis of a cute photos of grand kids on cell phone galleries,
we get in the car we stole
and drive to the edge of the map
after which there is only the tile of the floor below us,
checkerboard pattern and spread out newspapers
where the cat takes his craps,
this world
gets so much larger
the more we complain,
there biggest box
contains the largest emptiness.