In a hurry
and half dumb
with love,
he walks through an alley,
scratching his scalp,
and whistles another country’s anthem in an age when TV headlines have it
that the sky never stops falling,
he stops, sings a stanza in French, “My Cherie Amour”,
and skips mightily passed all the rear entrances and trash bins Simon and Garfunkle would have waxed and waned about in a language that made the obvious things in the city oppressive with meaning secreted among the rheumy lines of grime and gunk, he laughs, thinks bunk, I need her arms
and a good meal with amazing bread, bottled water, baskets full of cheese, and then
someone screams in the city, a woman on a corner screams for life and more money from whatever car passed on a wet street, the night was filled with screams and the hiss of tires slithering up back streets and alleys that used to be short cuts in another decade when a city was magic in black and white magazines, there are many hours until the sun comes rises over the river, light rays poking between the suspension cables of sleeping bridges,
days to go before something falls from the sky again with all the heaviness assembled weight can bring on the length of the streets, minutes away one of our own leaving the coil that binds us as another joins the chorus, too young in the first moments to hold sheet music or know what we’re attached to in these blurs that come alive from their darkness and approach him in the dark, he sings on, too late,
he’s asked
“Where you from,”
and he sings
too cloud to hear
a metallic click
and a bark of large dogs,
he was expecting everyone to join in the chorus
because love is all that matters
when everyone knows the words,
but instead the night
blackens all at once,
a curtain drops,
every line is unhinged
as doors would be
in a fast, devastating
heat coming across
a flat Nevada desert,
a city of jewels
burns high on a
mountain top,
there is only
light to follow,
chord less , unstrung music
at the end of corridor filled with
white light and cigarette smoke.
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