An idea of fantastic moonlighton the water's wavering surface,we are concentric in our desiresfor the rest of the meal,it's only during full moonswhen the dogs feel like singingand the trains and trolleys,running along parallel tracks,to screech and whistle and yowlinto the black slants of downtownin the iron grey sheen of lunar gleaningthat makes the aridand thirsty with desire as all the carsrattle in line and the steel wheelsgrind around the bends of the tracks thatmove between buildings of cracked brickand scarred, grey cement,cutting through old neighborhoodswhere trains are go to and come fromplaces distant as the face of the moonrippling and quivering in snaking white linesfrom the horizon, over the water,to the beach and the mirrored hardnessof the sand,I want to you scratch my backand rub my neck,you are saying, turning around in your seat,your computer screen on a web page decorated withfloral print and drawings of naked men,there is so much left to write about before deadline,there's a mountain of data that needs indexing andsome other line of scrutiny, you place a fingerover my lips, you say Listen and there are barking dogs,car horns and train whistles soundingin cryptic orchestrations, shrill,and thirsty among the ashen huesthe full moon brings us,it's time to let data just pile upso we can pile on each otherand books fall to the flooras they would in perfect love stories,
The camera pulls away and floats to the windowto settle on an image of the full moon,the full moon would be smiling, yesbut no, not that, clouds drift over the orband the world loses some ofthe grey glow,yet the sound don't change,whether trains, dogs, cars stalled on an over pass,both of us stuck on each other,noises stuck on the black tarp of evening.You turn your head,you cough and recover,hand at your throat,the mike buzzes but not before,
You shuffle your poemsand read yet again,you go on in a roomwhere everyone has a first line,I would read about your eyes,Wide as they are as saucers,cups that are deep as pans of breadthat come from the ovenand into my heart,and that's a start, I think,You fold your handson the podium as you read;you've got this memorized,yet it all seems extemporizedfrom the bottom of your heartwhich hasn't a bottom at all,Now some one else reads,a guy with tattoo of his tongueacross his left cheek, he screechesto hip- hop clicks of a clock,but he's young andnot far from done as long asHis homies throw their signswith fingers that cross a languageof quieting the flutters of the untested heart,I will read you later, on the phone,with every court and hand gesture,you wave goodnight, I know the line,
You'll see me in the funny papers.
Tuesday, September 20, 2011
An Idea of Fantastic Moonlight
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